This Drifting Poo Was Far Too Symbolic! It's the TV Disappointments of the Year.

Looking back, we consider the TV landscape of the recent year, a handful of shows stand out not for their excellence, but for their spectacular failures. From cringe-inducing spin-offs to bafflingly poor docuseries, here are the programmes that had us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Plagued with dreadful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the final series started, it looked like it had finally hit its stride. Then arrived an installment all about Seema’s natural deodorant. No wonder the creator declared this would be the final season. It concluded on a bum note; the lingering shot of Miranda’s loo full of poo was just way too symbolic. Yet, viewers undeniably had a hoot picking apart every single “wtf?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the least of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to start listing the flaws. The laughably leaden dialogue? The tedious glorification of wealth and materialism? The almost deliberate procession of tropes? Performances so bad they felt borderline malicious? Let’s just say “all of the above” and forget about this series again. However, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence claims and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless hedonism while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be reserved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Of course we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady characters meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various cockney picaresques which felt a bit basic.

With Love, Meghan

Given the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various forays into twee lifestyle as deliberate statements. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about both Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this documentary series opted not to explore them. Instead, the viewing was akin to consuming a sales catalogue. She obviously has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a programme that was trying way too hard to emulate something way beyond it.

Too Much

How do you succeed a show that defined a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart recruitment of gifted younger comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right tone, lurching from strangely jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a discovery that could destabilise society? No! This globe-trotting thriller about secret services targeting – and killing off – intellectuals frankly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was far greater examination of her actual psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Michael Travis
Michael Travis

Liam is een ervaren foodcriticus en schrijver, gespecialiseerd in Amerikaanse keuken en lokale eetgelegenheden.